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Funny pages comics in osswsso mi4/19/2023 He is not a likable character, more like a bully-in-training who condescends to nearly everyone around him who he doesn't need something from. It certainly doesn't fit in with the more inspirational, progressive, 'follow your dreams' movies that studios pander toward youth, because in this film, Robert's dream is to be an outcast, a deviant, a walking middle finger to the world. In this way, Funny Pages feels outside of time. These films were about the proud misfits and losers who had opted out of the American Nightmare, deciding to stare at the weird and ugly world after realizing that one must close their eyes to dream. These were movies about young people too cynical (or lazy) to 'chase their dreams ' they could barely speed walk. Instead of leaving his parents' fine Princeton home for college, Robert heads to Trenton to live in a disgusting basement and draw comics.įunny Pages immediately feels like the kind of lackadaisical, youthful indie movies on the American scene in the '90s, a dozen years of great, quiet, and offbeat comedy-dramas beginning with Slacker and Metropolitan, moving through Clerks and Welcome to the Dollhouse, and ending with Ghost World and Donnie Darko. After his art teacher dies, Robert decides to not just drop out of school but of the entire bourgeois life that was pre-programmed for him. Kline's movie follows a senior in high school and aspiring cartoonist who is enamored with the style, subversion, and salaciousness of underground comics. The great new A24 movie Funny Pages feels like Terry Zwigoff directed an Art Spiegelman comic, but Robert Crumb penned the adaptation any viewer who digs these references will undoubtedly like the film. Nearly two decades later (after a slew of odd short films and comic strips, and assisting the Safdie brothers), he's back with his own coming-of-age dramedy, writing and directing the uncomfortably humorous, fascinating film Funny Pages. Playing the brother of Jesse Eisenberg's character and the son of Jeff Bridges and Laura Linney's, Kline was understandably overshadowed by the immense talent around him. When Owen Kline was barely a teenager, he starred in one of the greatest coming-of-age movies of all time, Noah Baumbach's film The Squid and the Whale.
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